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Saturday, February 13, 2021

EL CANILLITA A very young Astor Piazzolla together with Carlos Gardel and Tito Lusiardo, in a scene from the film: “El día que me quieras” (The day you love me).1935. Paramount. Astor himself tells us: “My contact with Gardel was ephemeral. The only pleasure I had was filming with him some scenes from “El día que me quieras” —I was a “canillita” (paper boy) — and accompanying him, on certain occasions, with the bandoneon I was just beginning to play. To understand and love Gardel, one has to have passed through Buenos Aires, have known the Abasto market, and I was just a thirteen-year-old boy living in New York. I didn't even know how to play a tango on the bandoneon. That is the reason Gardel, when listening to me for the first time, told me: "Kid, you play the bandoneon like a Galician!". (From the book “A manera de memorias”, by Astor Piazzolla with the collaboration of Natalio Gorín, Atlántida publishing house, 1990).

 

El niño Astor Piazzolla, junto a Carlos Gardel y Tito Lusiardo, en una escena de la película: El día que me quieras en el año 1935. Paramount
Nos cuenta el propio Astor: Mi contacto con Gardel fue muy pasajero. El único placer que tuve fue filmar con él algunas escenas de El día que me quieras —hacía de canillita—, y acompañarlo, en ciertas oportunidades, con el bandoneón que yo recién empezaba a estudiar. Para entender y amar a Gardel, uno tiene que haber pasado por Buenos Aires, conocer el mercado de Abasto, y yo sólo era un chico de trece años que vivía en New York. Ni siquiera tocaba bien un tango en el bandoneón. Por eso Gardel, cuando me escucha por primera vez, me dice: "¡Pibe, vos tocás el bandoneón como un gallego!"». (Del libro A manera de memorias, del Astor Piazzolla con la colaboración de Natalio Gorín, editorial Atlántida, 1990).
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A very young Astor Piazzolla together with Carlos Gardel and Tito Lusiardo, in a scene from the film: “El día que me quieras” (The day you love me).1935. Paramount.
Astor himself tells us: “My contact with Gardel was ephemeral. The only pleasure I had was filming with him some scenes from “El día que me quieras” —I was a “canillita” (paper boy) — and accompanying him, on certain occasions, with the bandoneon I was just beginning to play. To understand and love Gardel, one has to have passed through Buenos Aires, have known the Abasto market, and I was just a thirteen-year-old boy living in New York. I didn't even know how to play a tango on the bandoneon. That is the reason Gardel, when listening to me for the first time, told me: "Kid, you play the bandoneon like a Galician!". (From the book “A manera de memorias”, by Astor Piazzolla with the collaboration of Natalio Gorín, Atlántida publishing house, 1990).
Puede ser una imagen en blanco y negro de 2 personas, niños y personas de pie
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