GUANTÁNAMO: THE JOSÉ MARTÍ PARK. MEMORIES.
Four years ago
my daughter and I traveled to Cuba. After 17 years of exile, I was not allowed
to enter my country until Raúl Castro relaxed the laws. The hope of a change
was renewed.
We must see
how time and distance alter our perception of things, of the places where we
lived, plaied and, above all, the emblematic sites of our city. Everything
seems smaller than we imagined it. Until our natal house. The rooms seemed to
shrink over time even if they kept the same furniture and the same paintings.
But what
surprised me most was the José Martí Central Park in the center of the city.
The parish Santa Catalina where I was baptized, first communion and where whe
went to mass every Saturday in recent years, it seemed a small architectural
model.
The statue of
our beloved apostle José Martí had been reduced in height by half and all the
glass niches behind had been banned. They had cut trees or vines that formed a
garland on each door of the Park.
The old
granite benches where we sat in our youth were still preserved. Each one of us
according to the "urban tribe" to which we belonged or thought we
dream to belonge. Waiting if anyone was
invited to a party of fifteen years or "descarga" to sneak in and
dance a little and maybe meet a couple of your liking.
To the right
of the parish, they took seats at around 8:00 PM, the fine young women of the
Pre-University Rubén Batista. There they waited for their hidden boyfriends or
talked to each other displaying their Sunday finery clothes. In front sat young men aspiring to raise some
girl of the mentioned or their boyfriends, waiting for an opportunity to
approach them.
In the other
side of the church rested, the old men and the old women, observing the
panorama or enjoying the air of the park.
In the
background, or better, in front of the parish, were the ragged or the homeless
or the poorly dressed, almost always elderly, left in oblivion by a system that
always announced "a bright future in socialism"
To the right
of the Park, entering in front of the Culture House, young people who already
had a partner or were openly engaged, took a seat next to a sister or a cousin.
The young
students of Secondary, others without employment still, and the male bachelors
of the Pre University, we formed a row in the periphery of a conten round the Park. All to observe the
girls who in pairs paraded again and again around the whole block that formed
the Park. Here you could hear the compliments, original or rude and hackneyed
fines, to the girls who seemed thinner or more "vanes" According to
the case.
But what I
remember most was the Provincial Symphony, that in a class of open
shell-unmistakable sign of our Park, played the National Anthem. At the end of
it, every boy fond of the ball, exploded in shouts and whistles, as in a
massive hubbub, custom that was taken every time before starting a game was the
hubbub in the stadium .
Then, in the
High Schools and the Pre University, when seeing the orthodox authorities these
whistles as a sign of disrespect, began before entering classes in each school
mentioned, the history of Our Anthem and other national symbols. But that never
ended. It continued for years and years. It was already a habit incorporated
into the few liberties that the youth-glorious stage of our life-that until I
left Cuba.
Ah, Guantánamo, how many memories where with very
little things communism gave us, we were happy, where it fit.
Orlando
Vicente Álvarez
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